Last weekend I saw Miguel Gutierrez and The Powerful People at the MCA. They performed And Lose the Name of Action to a bemused, stunned and sage crowd. As I sat there with my old Milwaukee friend that just moved to something like 30 different states and then to Chicago within a year, I pointed out no less than 10 Chicago dance makers that I could name. There were more dancers that I recognized from classes, but you get it. Sage crowd.
Then I read this review by Laura Molzahn for See Chicago Dance... that was less than enthusiastic. I was instantly reminded of the kerfuffle over Macaulay's review of Tere O'Connor. Why do things have to "develop", have to elicit emotion?
I thought the piece was brilliant and that the performers were so amazing I kept staring at each of them in turn and re-reading their bios because their performances were so unaffected. And for this reason alone I could call the performance brilliant, but there was much more.
Yes, it was 10 minutes too long, but that could've been because I was on a completely unforgiving metal chair. The rest of the experience was a breath of fresh air in a town full of high legs and pointed toes.
This is a blog about what it's like to find Contemporary Dance in a new community. I have lived, taught and danced in Minneapolis, Milwaukee, Miami, Chicago and now Washington D.C. As a teacher and performer I am always interested in finding out what people are interested in artistically and technically. Follow me as I discover Contemporary Dance performance, writing, critique and pedagogy in the various places I travel and teach. Aaaaand, I'm sure I'll let you know what I'm up to too.
Showing posts with label Miguel Gutierrez. Show all posts
Showing posts with label Miguel Gutierrez. Show all posts
Sunday, February 10, 2013
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